Podcast
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Indrit Kasapi
Born in Albania, Indrit has made Tkarón:to his home since 2000. He is the Founding Artistic Producer for lemonTree creations and Artistic Producer for Theatre Passe Muraille. lemonTree creations focuses […]
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Joseph Zita
Joseph Zita (he/him) is a Toronto based actor, singer, and theatre artist. He was born in Guatemala City, Guatemala, and grew up in Mississauga, ON. Select Theatre Credits include: The […]
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Curtis Campbell
Curtis Campbell is a writer and theatre artist. Some previous credits as a writer and director include Katherine Is Not A Communist, Imp, BETR With Bevan and Color Me Pablo. […]
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Dauntless City Theatre’s This Earth of Majesty
On this episode of Stageworthy, joining host Phil Rickaby, are Kate Werneburg, Suchiththa Wickremesooriya, Eric Benson and Chi-Chi Onuah from Dauntless City Theatre. Dauntless City Theatre is dedicated to bringing […]
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Ryan G. Hinds
This week's guest is theatre & cabaret performer, astronomy enthusiast, and 2022 Neil Munro Directing Intern at the Shaw Festival, Ryan G. Hinds.
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Drew Murdoch
Drew Murdock (he/him) is a theatre maker based in Saint John, NB. He is the director of the Fundy Fringe Festival, which is celebrating its 10th anniversary this summer.
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Dr. Kathleen Gallagher & Andrew Kushnir
In this profound conversation, Dr. Kathleen Gallagher and Andrew Kushnir discuss their groundbreaking book Hope in a Collapsing World: Youth Theatre and Listening as a Political Alternative. The book represents years of collaborative research across multiple countries, examining how drama classrooms serve as critical spaces for youth citizenship, activism, and social change.
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Georgia Findlay
Georgia Findlay (she/her) is a Toronto-based actor, playwright, producer and younger sister. This summer she made her Fringe debut with her first original script “Joan & Olivia: A Hollywood Ghost […]
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The Spindle Collective & Riot King
Natalia Bushnik (she/her) is a multidisciplinary artist and Dora Mavor Moore-nominated playwright. She is fascinated by immersive experiences that examine morally grey territories and unnerve audience members in their complicity. […]












