#433 – Michael Kras

This week on Stageworthy, host Phil Rickaby is joined by Michael Kras, playwright, director, and one of Canada’s busiest magic designers. Michael has designed magic and illusions for theatres across the country and is the resident magic and illusions lead for the North American tour of Harry Potter and the Cursed Child. He also joins the Tarragon Theatre’s Greenhouse Residency to develop his new solo play Love Me Back, a piece that blends sleight-of-hand magic with storytelling.

Also Available at

Welcome to Stageworthy

Stageworthy is Canada’s theatre podcast, bringing you in-depth interviews with theatre artists, panel discussions, and more. Each week, host Phil Rickaby sits down with the people who make theatre happen—from household names to artists you should know. Whether you’re an audience member, a theatre maker, or just plain curious about Canadian theatre, Stageworthy offers a front-row seat to the conversations shaping the industry. New episodes every Tuesday.

Recent Posts

  • #433 – Michael Kras

    This week on Stageworthy, host Phil Rickaby is joined by Michael Kras, playwright, director, and one of Canada’s busiest magic designers. Michael has designed magic and illusions for theatres across the country and is the resident magic and illusions lead for the North American tour of Harry Potter and the Cursed Child. He also joins the Tarragon Theatre’s Greenhouse Residency to develop his new solo play Love Me Back, a piece that blends sleight-of-hand magic with storytelling.

  • #432 – Chloë Whitehorn

    This week on Stageworthy, host Phil Rickaby is joined by Chloë Whitehorn, who is currently based in Kingston, Ontario. Chloë, a former actor, discusses her journey to becoming a prolific writer, focusing on themes of women's rights and mental health. She talks about how her plays—which include The Pigeon, Blood River, and Fall After Midsummer —are driven by characters and their emotions rather than just issues. Chloë also offers a glimpse into the Kingston theatre scene, her unique writing methods, and her perspective on why Canadian theatre struggles with second productions.

  • #431 – Courtney Stoltz

    This week on Stageworthy, host Phil Rickaby is joined by Courtney Stoltz, the production manager for a new community theatre company in Kenora, Ontario, called So I guess we're doing this. Courtney shares her journey from actor to production manager. She provides a look into the theatre scene in Northwestern Ontario and the experience of taking their original play, Finding Richard Close, to the Winnipeg Fringe Festival, and more.

  • #430 – Liz Buchanan

    This week on Stageworthy, host Phil Rickaby is joined by Liz Buchanan, a Hamilton-based actor, writer, and director who is also the artistic director of 9M Theatre. Liz shares her journey as a playwright and performer, focusing on her two Hamilton Fringe shows Gnomes A Traumatic Comedy (2023) and Liz A Traumatic Comedy (2024). She discusses her long-standing fascination with gnomes, how she uses humour and absurdity to explore personal trauma on stage, and more.

  • #429 – Chelsea Woolley

    This week on Stageworthy, host Phil Rickaby is joined by playwright Chelsea Woolley. Chelsea discusses her latest play, Enormity, Girl, and the Earthquake in Her Lungs, which is being produced by Nightwood Theatre. She shares the fascinating, eight-year journey of the play's development, from its original concept to a workshop production with theatre students, and the challenges of being a playwright in the rehearsal hall.

  • #428 – Solo: Funding cuts and the future of theatre in Canada

    In a solo episode of Stageworthy, host and producer Phil Rickaby discusses the looming threat to Canadian theatre and arts due to government funding cuts. He reflects on the recent mandate that all government departments, including the Canada Council for the Arts, must find 15% in savings, which will result in significant cuts to arts programs. Phil explores why the arts in Canada are so vulnerable to these cuts, citing a long-standing public perception that they are not essential or relevant to the average Canadian. He poses critical questions about the future of theatre in Canada, including what companies will do to survive and how the arts community can better articulate its value to the public and to the government.

  • #427 – Virgilia Griffith

    This week on Stageworthy, host Phil Rickaby is joined by Toronto-based actor Virgilia Griffith, who is currently appearing in two shows at the Shaw Festival: Blues for an Alabama Sky and Murder on the Lake. In this conversation, Virgilia discusses the unique demands of each production and how they complement one another, keeping her acting practice fresh and present. She shares her journey from aspiring dancer to award-winning actor, the importance of mentorship, and how she found her calling in theatre.

  • #426 – Iain Moggach

    This week on Stageworthy, host Phil Rickaby is joined by Iain Moggach, former Artistic Director of Theatre by the Bay in Barrie, Ontario. In this thoughtful conversation, Iain shares his journey from actor, administrator, and ultimately artistic director, reflecting on what it means to build theatre outside of a major city centre. He speaks to the unique challenges and opportunities of working in Barrie, and the importance of creating space for regional stories.

  • #425 – Nancy Kenny

    This week on Stageworthy, host Phil Rickaby is joined by Nancy Kenny, an actor, writer, and producer whose latest show, I Don’t Feel Pretty/Chu pas cute, will have readings at the 2025 Halifax Fringe Festival. In this warm and insightful conversation, Nancy shares the deeply personal inspiration behind her show, the balance between humour and vulnerability in storytelling, and the journey of shaping a one-person play from lived experience.

  • #424 – Evan Bawtinheimer

    This week on Stageworthy, host Phil Rickaby is joined by Evan Bawtinheimer, a Toronto-based, Dora Award winning playwright. Evan shares the inspiration behind his award winning play, Patty Picker. In this candid and thoughtful conversation, Evan opens up about playwriting, his journey of personal growth and mental health, and why vulnerability and connection are central to his artistic work.