Author: Phil Rickaby
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Does the Theatre Community Actually Exist?
Here’s a question that I’ve been thinking about for a while. Just what is the theatre community? We often talk about the quote unquote theatre community. What does the community […]
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Brendan Healy
Brendan Healy is the Artistic Director of Canadian Stage, one of the country’s leading not-for-profit contemporary performing arts organizations. The company produces, presents, commissions, and collaborates with multiple partners on […]
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An IMM-Permanent Resident
A comedy infused with Bollywood elements, An IMM-Permanent Resident is a hilarious take on the mundane and tiresome bureaucracy of the Canadian Immigration process, as experienced by playwrights and real-life couple, Himanshu […]
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Why Does Canadian Theatre Seem So Disposable?
Honest question. What is with the disposable nature of plays in the Canadian theatre? Yeah, I can only think of a couple of plays – one in recent memory – […]
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Introverted Actors Roundtable
An introverted actors roundtable discussion featuring actor and playwright, Stephen Near; actor & Singer-Songwriter Carolyn Fe; writer, composer & and performer, Kristen Zaza; playwright & performer, Genevieve Adam; writer & […]
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Mateo Chavez Lewis
Mateo is a young singer, songwriter, actor and pianist currently working on the lands traditionally known as Tkaronto. In 2020, he wrote and produced “Quarantine Songs,” a song cycle about […]
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Lisa Alves
Lisa Alves is a queer artist, theatre producer, educator, and human resource practitioner based in Tkaron:to near the Wonscontach. They grew up in a two-parent household, both Portuguese immigrants and […]
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Indie Theatre Roundtable with The Red Sandcastle and The Assembly Theatre
The Red Sandcastle is a 50 seat storefront theatre, where Anything is Possible! In May of 2011, Rosemary Doyle opened the RED Sandcastle Theatre, with the intent of giving theatre artists a […]
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Truth and Honesty in theatre
We have an honesty problem in theatre, and I’m not talking about on stage, we talk a lot about truth on the stage. We want what we portray to be […]










