Recent Posts

  • Natércia Napoleão

    Natércia Napoleão is a multifaceted Brazilian theatre artist and community advocate. Over the past eighteen years, she has had a wide influence within the Albertan theatre community, with experience in […]

  • Crystal Lee

    Crystal’s interest in technical theatre and management began in her home province of New Brunswick where she worked as a Theatre Production mentor at the University of New Brunswick. She’s […]

  • Fanny Dvorkin

    Fanny is a recent graduate of Dawson College’s Professional Theatre Program. A writer and actor, they are most interested in how the classics can intersect with contemporary performance. As a […]

  • Stefan Dzeparoski

    Stefan is a Serbian-born, Toronto-based international director and creative producer. He is best known for his interdisciplinary stage practices merging film, digital and live performance. Stefan’s work has been seen […]

  • Daniel Levinson

    Daniel Levinson has been performing, directing and teaching stage combat professionally since founding Rapier Wit in 1991. Rapier Wit is Canada’s oldest stage combat school and production company. Daniel is […]

  • Sarah Marchand

    Launched in 2016, alma matters productions began with a single goal: To amplify underrepresented stories through the power of theatre. Fast forward five years later, and we have now supported […]

  • Does the Theatre Community Actually Exist?

    Here’s a question that I’ve been thinking about for a while. Just what is the theatre community? We often talk about the quote unquote theatre community. What does the community […]

  • Brendan Healy

    Brendan Healy is the Artistic Director of Canadian Stage, one of the country’s leading not-for-profit contemporary performing arts organizations. The company produces, presents, commissions, and collaborates with multiple partners on […]

  • An IMM-Permanent Resident

    A comedy infused with Bollywood elements, An IMM-Permanent Resident is a hilarious take on the mundane and tiresome bureaucracy of the Canadian Immigration process, as experienced by playwrights and real-life couple, Himanshu […]

  • Why Does Canadian Theatre Seem So Disposable?

    Honest question. What is with the disposable nature of plays in the Canadian theatre? Yeah, I can only think of a couple of plays – one in recent memory – […]