Podcast
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Fiona Sauder
This week on Stageworthy, host Phil Rickaby welcomes Fiona Sauder, co-founder and Artistic Director of Bad Hats Theatre. Known for their inventive, musical, family-friendly adaptations of classic literature, Bad Hats has become one of Toronto’s most celebrated indie theatre companies. Fiona shares the origin story of the company, beginning with a serendipitous brewery production of Peter Pan and growing into a long-standing partnership with Soulpepper, as well as their upcoming production of Narnia.
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Dian Marie Bridge
This week on Stageworthy, host Phil Rickaby is joined by Dian Marie Bridge, Artistic Director of the Black Theatre Workshop (BTW) in Montreal. Dian discusses the legacy of BTW, which is celebrating its 55th anniversary this year , as one of Canada's oldest Black and ethnocultural theatre companies. The conversation delves into the company's commitment to community service and fostering new talent through its influential program, as well as BTW's production of Kanika Ambrose's Our Place at Montreal's Segal Centre for Performing Arts (Studio) from Nov. 19-30.
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Aaron Joel Craig & Stephanie Hope Lawlor
This week on Stageworthy, host Phil Rickaby welcomes Aaron Joel Craig (Same Boat Theatre) and Stephanie Hope Lawlor (Rooks Theatre) to discuss their co-production of Ibsen’s A Doll’s House in Hamilton.
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Will Parry
This week on Stageworthy, host Phil Rickaby welcomes Will Parry, actor, singer, and content creator based in Toronto. Known for his work as a musical theatre performer and social media consultant for artists and theatre companies, Will shares insights into how creatives can better express their authentic selves online while building stronger connections with audiences.
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Steven Hao
This week on Stageworthy, host Phil Rickaby welcomes Steven Hao, actor, director, and artistic director of Puckers Theatre Company. Currently in his second season at the Stratford Festival, Steven shares his journey from Victoria, BC, to the national stage, performing in acclaimed productions like Anne of Green Gables, Forgiveness, Salesman in China, and Romeo and Juliet.
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Emily Dix
This week on Stageworthy, host Phil Rickaby is joined by Emily Dix, artistic executive director of Bygone Theatre and the lead behind their mixed use affordable arts space, The Bridge. Emily shares the company’s journey from its beginnings in classic theatre to its evolution into original Canadian works that blend vintage aesthetics with contemporary themes. She discusses her creative process, the importance of atmosphere and design, and the challenges and rewards of running an independent theatre company.
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Michael Esposito II
This week on Stageworthy, host Phil Rickaby is joined by actor, singer, and producer Michael Esposito II. Michael discusses the challenges and rewards of mounting Daniel MacIvor's solo play, Monster, which he is producing and performing in Kelowna, B.C. He shares the creative process of integrating projections and music into the show to make it feel more like an immersive "monster experience" than a traditional one-person play. Michael also talks about his background in Toronto and New York, the evolving theatre scene in Kelowna, & his other work in the Okanagan Valley, including themed jazz shows at a local speakeasy winery.
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Michael Kras
This week on Stageworthy, host Phil Rickaby is joined by Michael Kras, playwright, director, and one of Canada’s busiest magic designers. Michael has designed magic and illusions for theatres across the country and is the resident magic and illusions lead for the North American tour of Harry Potter and the Cursed Child. He also joins the Tarragon Theatre’s Greenhouse Residency to develop his new solo play Love Me Back, a piece that blends sleight-of-hand magic with storytelling.
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Chloë Whitehorn
This week on Stageworthy, host Phil Rickaby is joined by Chloë Whitehorn, who is currently based in Kingston, Ontario. Chloë, a former actor, discusses her journey to becoming a prolific writer, focusing on themes of women's rights and mental health. She talks about how her plays—which include The Pigeon, Blood River, and Fall After Midsummer —are driven by characters and their emotions rather than just issues. Chloë also offers a glimpse into the Kingston theatre scene, her unique writing methods, and her perspective on why Canadian theatre struggles with second productions.
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Courtney Stoltz
This week on Stageworthy, host Phil Rickaby is joined by Courtney Stoltz, the production manager for a new community theatre company in Kenora, Ontario, called So I guess we're doing this. Courtney shares her journey from actor to production manager. She provides a look into the theatre scene in Northwestern Ontario and the experience of taking their original play, Finding Richard Close, to the Winnipeg Fringe Festival, and more.
