#338 – Curtis Campbell

Curtis Campbell is a writer and theatre artist. Some previous credits as a writer and director include Katherine Is Not A Communist, Imp, BETR With Bevan and Color Me Pablo. His novel Dragging Mason County will be published by Annick Press in the fall of 2023.

Check out Gay for Pay, co-written by Curtis and Daniel Krolik at Streetcar Crowsnest, Nov. 16-27.

Twitter: @Alanis_Percocet
Instagram: @gayforpayproductions

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#337 – Dauntless City Theatre’s This Earth of Majesty

On this episode of Stageworthy, joining host Phil Rickaby, are Kate Werneburg, Suchiththa Wickremesooriya, Eric Benson and Chi-Chi Onuah from Dauntless City Theatre.

Dauntless City Theatre is dedicated to bringing site-specific performances to non-traditional spaces. This summer, Dauntless presents This Earth of Majesty an adaptation of Richard II by William Shakespeare, directed by Kate Werneburg.

Instagram: @dauntlessto

Kate Werneburg is originally from Ottawa, ON, which is on the unceded and traditional territory of the Algonquin Nation. Niagara-based, she is a queer settler. She brings social justice work along with artistic and administrative experience to her work with Dauntless. Highlights in theatre: Carousel Players, Dauntless City Theatre, Theatre New Brunswick, The Nearly-World Famous Dufflebag Theatre (bilingual troupe), Ergo Arts Theatre, A Company of Fools, The Great Canadian Theatre Company, Elizabeth – Darcy. Journalism: She Does The City, Intermission Magazine. Poetry: The Quilliad.

Twitter: @KateWburg
Instagram: @katewburg

Suchiththa Wickremesooriya is a multi-disciplinary Sri Lankan actor and educator who has recently been drawn to multi-sensory theatre as well as physical theatre. As an educator, he holds a M.A in Musical Theatre Performance and is the Associate Producer, Education for Shakespeare in Action. He was most recently seen in Bend it Like Beckham in its North American premiere in Toronto and in a Summerworks presentation of Deaf-integrated Theatre techniques. Other Select Credits include Ariel in The Tempest (Citadel Theatre), Fakir in The Secret Garden (Theatre Calgary) and Ifty in Pocket Rocket (Lost and Found Theatre). Since Covid19 hit, he’s been involved in several Workshops both on and off Zoom including Sweeter, Sister Warriors, Leopards and Peacocks, Off the Beaten Path, and many other new works in progress.

Twitter: @SuchiththaW
Instagram: @SuchiththaW

Eric Benson is a Toronto-based actor. He was a core member of Halifax’s DaPoPo Theatre from 2005 – 2013, and was part of the Stratford Festival’s director mentorship programme in 2011 and 2012.

Chi-Chi Onuah is a Canadian-Nigerian actor, mover, and singer. She studied Devised Theatre (B.A.) at York University in Toronto.
Some of Chi-Chi’s notable credits include: Bianca (Othello) and the Ensemble (Coriolanus) for the 2x OnComm and special OneOff award-winning web series, The Show Must Go Online (Rob Myles).

Most recently, Chi-Chi Onuah was featured in CBC Arts about Netflix & Shondaland’s “The Queen’s Ball: A Bridgerton Experience” in Montréal.

Twitter: @chichionuah
Instagram: @chichi.onuah

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#336 – Ryan G. Hinds

This week’s guest is theatre & cabaret performer, astronomy enthusiast, and 2022 Neil Munro Directing Intern at the Shaw Festival, Ryan G. Hinds.

A Toronto-based theatre artist and cabaret performer, Ryan has performed #KanderAndEbb at the Stratford Festival (with digital appearances from John Kander and Chita Rivera); We Will Rock You for Magnus Theatre; Starry Notions for Toronto Fringe; Hedwig in Hedwig & the Angry Inch at the Capitol Theatre; and Piragua Guy in In The Heights for We Are Here. An Artist-in-Residence at Buddies in Bad Times from 2014 to 2016, Ryan is also an Associate Artist at lemonTree Creations, where the work has included Lydie-Anne in Lilies; Or, The Revival of a Romantic Drama; the development, premiere, remount and national tour of dance-theatre hybrid MSM [men seeking men]; and the world premiere of Private Eyes (in association with the Lieutenant Governor of Ontario).

Currently one of the two 2022 Neil Munro Directing Interns at the Shaw Festival and Assistant Director for Damn Yankees, The Importance of Being Earnest, and Gem of the Ocean, Ryan’s work as a director includes Miss Bennet: Christmas at Pemberley for Theatre New Brunswick; 25th Annual Putnam County Spelling Bee for Vanier College Productions at York University; Cock-Tales with Maria for Tapestry Opera; MacArthur Park Suite: A Disco Ballet for Summerworks; and Little Pretty & the Exceptional for Factory Theatre (asst to Brendan Healy). An alumnus of Randolph Academy’s Triple Threat program, Ryan is a graduate of Generator’s Artistic Producer Training program, a member of the 2019 co-hort of Director’s Lab North, the 2017 Factory Theatre “Factory Foremen” intensive program, and the 2016 Obsidian Theatre Mentor/Apprentice Program.

Ryan is proudly serving a second term on the national council of Canadian Actors’ Equity Association, and has shared stages and screens with artists such as Taylor Mac, Todrick Hall, Liza Minnelli, Billy Stritch, Debbie Reynolds and more.

Twitter: @ryanghinds
Instagram: @ryanghinds

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#335 – Drew Murdoch

Drew Murdock (he/him) is a theatre maker based in Saint John, NB. He is the director of the Fundy Fringe Festival, which is celebrating its 10th anniversary this summer. Drew also works year round at The Saint John Theatre Company and regularly works with the Atlantic Repertory Company, Theatre Six, Improvisation Corporation, Loylist City Shakespeare, and other fine theatre makers in Saint John as a stage manager, lighting and projection designer, production manager, video director, and more.

Twitter: @FundyFringeFest
Instagram: @fundyfringefest

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#334 – Dr. Kathleen Gallagher & Andrew Kushnir

Andrew Kushnir is an actor, playwright, director, as well as artistic director of the socially-engaged theatre company Project: Humanity (PH) in Toronto. Since 2021, he has steered PH’s Proximity Lab, an incubator for new approaches to verbatim theatre — a form he has been working in for 15 years. He has collaborated on two books coming out in 2022: Moving the Centre: Two Plays: Small Axe and Freedom Singer (Talon Books, with Khari Wendell McClelland) and Hope in a Collapsing World (U of T Press, with Kathleen Gallagher). Andrew is the creator and host of _This Is Something Else – _an investigative theatre history podcast for the Arts Club. He is a graduate of the University of Alberta, a Loran Scholar and alumnist of the Michael Langham Workshop for Classical Direction at the Stratford Festival. Andrew is the inaugural recipient of the Shevchenko Foundation REACH residency prize.  A proudly queer Ukrainian-Canadian, he founded the We Support LGBTQ Ukraine Fund with the Veritas Foundation in April 2022. 

Dr. Kathleen Gallagher: A Fellow of the Royal Society of Canada, Distinguished Professor, and Director of the Centre for Drama, Theatre and Performance Studies at the University of Toronto, Dr. Kathleen Gallagher studies theatre as a powerful medium for expression by young people of their experiences and understandings. She has published numerous books and articles at the intersection of youth, theatre, and the social world. Her most recent works include the 2020 edited collection, _Global Youth Citizenry and Radical Hope: Enacting Community-Engaged Research through Performative Methodologies _and the 2022 monograph Hope in a Collapsing World: Youth, Theatre, and Listening as a Political Alternative    

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#333 – Georgia Findlay

Georgia Findlay (she/her) is a Toronto-based actor, playwright, producer and younger sister. This summer she made her Fringe debut with her first original script “Joan & Olivia: A Hollywood Ghost Story,” which explores themes of sibling rivalry through the ghosts of real life Old Hollywood movie star-sisters Joan Fontaine and Olivia de Havilland. Selected credits include: several roles in the 2019 Newmarket National 10-Minute Play Festival; Mrs. Clandon, “You Never Can Tell” (2019, George Brown Theatre School, Susan Ferley); Arsen Kazbeki/The Fat Prince, “The Caucasian Chalk Circle” (2019, GBTS, Richard Greenblatt); Josie Hogan, “A Moon for the Misbegotten” (2017, GBTS Scene Study, Elizabeth Saunders). Georgia learned so much in her whirlwind Fringe experience, and can’t wait to continue following her passions and expanding her career.

Instagram: @georgiagfindlay

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#332 – The Spindle Collective & Riot King

Natalia Bushnik (she/her) is a multidisciplinary artist and Dora Mavor Moore-nominated playwright. She is fascinated by immersive experiences that examine morally grey territories and unnerve audience members in their complicity. Select theatre: ‘SAMCA’ (Spindle Collective); ‘The Bathtub Girls’ (Kairos Theatre); ‘PING!’ (Workshop-Aaron Jan/Urjo Kareda Residency). Select film: ‘Revenge of the Black Best Friend’, ‘peopleWatching’ (CBC Gem). Her radio play, ‘Just Across the Causeway’, was produced through the National Theatre School’s #ArtApart Program, with support from the Canada Council for the Arts and the Toronto Arts Council, and a live version was performed as a staged reading in the UK through Little Lion Theatre Company this past November. Her favourite pastimes include having no visible eyebrows and watching c-level horror movies.

Twitter: @spindletheatre
Instagram: @spindlecollective

Kathleen Welch is a writer, performer, and composer from Toronto. She is passionate about new works and loves creating projects with people she cares about. She previously wrote the music for Just Across the Causeway by Natalia Bushnik with whom she later co-created the play Samca. Some favourite past roles include Catherine in Widow’s Wedding Dress, Mrs. Forthright in False Claims, and Clara in Fermata. Kathleen is currently in an original children’s musical of The Three Little Pigs and is working on her first album, Greasy Girl. When not not performing she can be found drinking wine, eating pasta, and cuddling her cat Athena.

Brendan Kinnon is a Toronto based actor and director who is passionate about contemporary theatre and producing new Canadian plays. They are the Founder and Creative Director of Riot King: Art Market – an artist hub producing experimental theatre and arts-community events. They are also the Communications Manager for Theatre of the Beat – a touring social justice theatre company starting conversation to inspire change.
Brendan has worked internationally and across the country as an actor, but has focused much of their work on building the arts community in southern Ontario. When not on stage or sending emails you can find Brendan working away in their garden or strolling around the many wonderful parks of Toronto!

Twitter: @riotkingto
Instagram: @riotkingto

Winner of the 2022 Hamilton Fringe New Play Contest, Spindle Collective and Riot King present ‘SAMCA’, a contemporary, horror folktale by Natalia Bushnik (‘The Bathtub Girls – Critic’s Choice 2017 Hamilton Fringe’) and Kathleen Welch. Combining original music written by Welch, movement theatre, and design, ‘SAMCA’ shares the story of two sisters, Miha and Prava, and the horrors that happen in the woods at night. Tread lightly…for the woods can hear you.

Tickets: https://boxoffice.hftco.ca/event/866:609/

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#331 – Aaron Jan

Aaron Jan is a Hamilton-born playwright, director, dramaturg. and educator. He has worked as a creator with Factory Theatre, UpintheAir Theatre, Soulpepper, York University, Boca Del Lupo, fu-GEN Asian Canadian Theatre, Theatre Passe Muraille, the Musical Stage Company, Canadian Stage, Theatre Erindale, Sheridan College and most recently as a guest director at the Creative School at Toronto Metropolitan University. A member of the critically acclaimed Silk Bath Collective, Aaron is the 2019 winner of the Ken McDougall directing award, the 2021 inaugural co-winner of Highland Arts Theatre’s Rita Joe playwriting award, a 2021 Johanna Protege Award, the 2022 winner of the Urjo Kareda Award and a co-recipient of The Musical Stage Company’s Aubrey and Marla Dan Fund for New Musicals. Alongside Karen Ancheta, Aaron is a co-founder of Porch Light Theatre (currently a company in residence at Theatre Aquarius), and is dedicated to making his hometown a place where professional theatre artists can make new work and be compensated fairly for it.

Twitter: @afatchineseboy
Instagram: @afatchineseboy

Porch Light Theatre
Tickets to House Key Project: https://boxoffice.hamiltonfringe.ca/event/866:605/

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#330 – Vikki Velenosi

Vikki describes herself as a storyteller, a serial entrepreneur and a fighter of the status quo. She lives in Toronto with her dog GusGus and her two cats, Matt Damon and Gracie Lou Freebush.

Current Projects
Founder/CEO-Space Space Revolution
Head Writer-Business Owner By Mistake Blog
Co-Founder-Brick and Mortar Theatre and Studios (RIP)

Twitter: @Vikkivelenosi
Instagram: @businessownerbymistake

2 Robs, 1 Cup: What Happens When You’re Done Eating Shit?
Tickets: https://fringetoronto.com/fringe/show/2-robs-1-cup-what-happens-when-youre-done-eating-shit

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#329 – Stephen Elliott Jackson & Neta J. Rose

Steven Elliott Jackson is an award-winning playwright originally from Minto Manitoba and now living in Kitchener, Ontario. In 2017, he won Best New Play at the Toronto Fringe for “The Seat Next To The King” and it was produced in Canada and the United States subsequently. It was published by Scirocco Drama. In 2020, he won Best New Play for “Three Ordinary Men” at the Hamilton Fringe and it will be produced in June 2022 by Cahoots Theatre in Toronto. In 2022, he will be premiering TOM as well as The Garden Of Alla and The Prince’s Big Adventurer at the Toronto Fringe.

Twitter: @MinmarGaslight
Instagram: @minmar_gaslight

Neta J. Rose is a proud Ashkenazi Jewish queer non-binary actor based in Toronto/Tkaronto. They are a founding member of Create! Youth Theatre, in Scotland, now entering its 13th year.

Neta’s stage credits include: Henry G20 (Luminato),The Omnibus Bill (TACTICS), The Bonds of Interest (Odyssey), The Penelopiad (Hart House), Midsummer Night’s Dream and Twelfth Night (Foxtail – UK), Heart of a Dog (Nowadays Theatre/Next Stage), and 1184 (Phoenix Arts/Aga Khan).

They are also a poet and essayist whose writing has recently been published in Salty Magazine and in the Pandemic Poetry chapbook by Buddies in Bad Times.

Instagram: @neta.j.rose

The Garden of Alla
LA, 1921. “Alla Nazimova” (née Marem-Ides Leventon), prolific film pioneer, broadway darling and proud bisexual invites company to her home, “The Garden of Alla”, enticing them with her plans to make Oscar Wilde’s highly controversial “Salome” into a dazzling, big-budget film. Recruiting her “husband,” Charles Bryant to direct, and lover, Natacha Rambova for the opulent costume/set designs, the landmark movie will get made amidst the the trio’s romances and trysts – but at what cost, as religious lobbyist William B. Hays concocts a strict code of ethics that Hollywood studios must obey, threatening freedom of creative expression and true art?

Tickets: fringetoronto.com/fringe/show/garden-alla

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